- For part of this summer’s fieldwork, I’ll need to record conversations between up to 8 people in a noisy room — and they need to be clear enough (for someone else) to transcribe later. In all probability, this means 8 microphones.
- I’m deaf, so being able to listen to all 8 microphones at once via my hearing aids (which have a standard 1/8″ audio jack/cable) would be awesome – I can lipread, but good amplified audio makes it so much less exhausting. (My fantastic teammate Emily Dringenberg will be in the field with me, and she is hearing — but I would still like to be able to listen more easily to the conversations we’re observing!)
- I plan to use this rig for a long time and truck it across the world, so durability and portability is key.
- I am a grad student of limited budget. Therefore, I like less-expensive things. That having been said, I’d rather have to work harder to get a good setup that will last a long time.
What should I get? Here’s what I’ve thought of so far…
The Non-Accessible But Cheapass Solution: individual digital recorders (~$45 each, plus ~$15 memory each) and wired lapel mics (~$20 each) and put one on each participant. Mix all 8 tracks together in post-production (Audacity) to make the final conversational recording. Pros: cheap (~$640 total), durable, portable, participants can move around a lot. Cons: a lot of post-production, not sure how well 8 tracks will mix together, does not help me hear the conversation better as it’s happening.
The Accessible But Needs-A-Grant solution: 8-channel portable wirless mic system like this beautiful setup from Revolabs. Pros: durable, portable, participants can move around a lot; top-notch audio quality, accessibility, and high reuse flexibility value — in other words, I could use the same equipment for teleconferencing, documentary filmmaking, live-transcribing (with CART) classes I teach or attend, and so forth. Heck, I could use the setup to stream the 8 mics to a transcriptionist in realtime, and that conversation could get live-transcribed. Cons: expensive expensive expensive ($9-10k, which is way more than half of what I earn per year these days). I would basically need a grant for this within the next 4 months.
I really, really like the idea of the Revolabs setup. I see that as the not-just-for-deaf-people (and therefore way more flexible/extensible) Companion Mic system — hearing aids often have individual microphone accessories you can give to a speaker that’ll stream their mic straight to your aids, but they’re severely limited. There’s usually only one microphone, meaning one speaker at a time, good luck hearing anyone else. (One system has 4 mics, but that’s as high as it goes.) More importantly, they only stream to your hearing aids; you can’t get the audio out anywhere else for recording, teleconferencing, or so forth.
So imagine being able to use this for, say… being a postdoc doing an ethnographic study and documentary film of hackerspaces – clipping wireless mics on makers as they wind and talk their way through a machine shop, clamber up robots, spin fire… following along with a camera in my hand and the base system (and a power supply) in a sturdy pack on my back, using my hearing aids (and/or cochlear implant) as audio monitors, being able to hear things, simultaneously streaming that hi-fi audio and a lower-res video out to a live audience… I mean, that’s a rough strawman subject to change, especially as I learn more about ethnography/documentary filmmaing/what I’ll do after graduation in May 2015, but that’s the sort of thing that could be done with such a setup, if money were to be had. I think.
Anyway, I’m spinning out a lot of dreams here, but the reality is that I have next to no budget and know very little about audio setups and microphones. So… yeah. Ideas for other setups? Thoughts on these? Ideas in general! (And thank you!)